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In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales “work” and others don’t, why the fairy tale is. Library of Congress Cataloging-in-Publication Data Zipes, Jack David. Why fairy tales stick: the evolution and relevance of a genre / Jack Zipes. p. cm. Includes. In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales “work” and others don’t, why the fairy tale is uniquely capable of.

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Why Fairy Tales Stick : The Evolution and Relevance of a Genre

Just as the frame tale leads to the exposure of the stealthy slave girl with no holds barred, all the nar- ratives seek to reveal the contradictory nature in which all members of society pretend to comport themselves according to lofty standards but will stoop as low as they must to achieve wealth and happiness.

In this frame tale, Zoza, the daughter of the King of Vallepelosa, cannot laugh, and her father is so concerned about her happiness that he invites people from all over the world to try to make her laugh. Whatever the occasion, the protagonist must prove him- or herself and acquire gifts that are often magical agents, which bring about a miraculous or marvelous change or transformation.

Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales including Cinderella, Snow White, and Bluebeardfollowed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century. Once a fairy tale has gelled or been artistically conceived so that it is ostentative, it seeks to perpetuate itself indiscriminately. This is true of all organized religions and continues to be the case today.

Fifth, she is swallowed or raped like her grandmother. The fairy tale is a polygenetic cultural artifact that has spread throughout the world through human contact and technologies invented to bring about effective communication.

Why Fairy Tales Stick: The Evolution and Relevance of a Genre – Jack David Zipes – Google Books

Galland had traveled and lived in the Middle East and had mas- tered Arabic, Hebrew, Persian, and Turkish, and he was also thoroughly familiar with the irst vogue of fairy tales since he lived in Paris. The fairy tale acts kack language to depict all kinds of issues and debates that concern socialization and civilization. Moreover, his fear of women and his own sexual drives are incorporated in his new gales version, which also relects general male attitudes about women portrayed as eager to be seduced or raped.


The situation of each tale evolves rapidly to srick wealth and beauty to some of the characters and poverty and ruin to others. Open Preview See a Problem? Numerous scholars have set their studies of oral and literary tales in a sociohistorical context to arrive at deinitions, categories, and types of the fairy tale. According to him, the Cunto was a highly unusual and sophisticated work that became known and spread through many different channels. Between these two processes, there must be a third environmental process whereby the action of the communicator impinges faidy the sensory organs of the inter- preter.

As Fairh have stated in the previous chapter, this is an impossible task because there are very few if any records with the exception of paintings, drawings, etchings, inscriptions, parchments, and other cultural artifacts that reveal how tales were told and received thousands of years ago. There are no discussion topics on this book yet.

He maintains that a discourse is made up of enunciated sentences or enunciated words, and like Bakhtin, he argues that its meaning depends on the context of enunciation.

We do know, however, that scribes began writing different kinds of tales that relected an occupation with rituals, historical anecdotes, customs, startling events, miraculous transformations, and religious beliefs.

Without cookies your experience may not be seamless. There are numerous theories about the origin of the fairy tale, but none jcak pro- vided conclusive proof about how the literary fairy tale was formed.

I found myself disagreeing with so many of Zipes’ conclusions, but I was also fascinated and intrigued by how he went about thinking about fairy tales. Book titles OR Journal titles.

I want briely to sketch the further development of the literary fairy tale beginning with Basile, then moving to the French writers of the s, and concluding with the Brothers Grimm. In particular, I showed how Charles Perrault and the Grimm Broth- ers transformed an oral folk tale about the social initiation of a young woman into a narrative about rape in which the heroine is obliged to bear the responsibility for sexual violation.


Like the selish gene, a fairy tale as meme is concerned with its own per- petuation and will adapt to changes and conlicts in the environment. But it was Boccaccio who set a model for all future sticm of this genre with his dtick narrative and subtle and sophisticated style. It captures the essence of what the tales at their best should reflect which are engaging and imaginative stories that inspire readers to learn more about the subject.

Cavallius, Old Norse Fairy Tale: Since it is the time of Carnival, Lucretia proposes that the company take turns telling stories during the two weeks before Lent, and consequently, there are thirteen nights in which stories are told, amounting to seventy-four in all.

What is a meme?

Project MUSE – Why Fairy Tales Stick: The Evolution and Relevance of a Genre (review)

Thanks for telling us about the problem. The little girl arrived and knocked at the door. Ideas even if we do not know exactly what they are are material objects inasmuch as they require material bodies and brains in which they are produced for the irst time and reproduced in the process of transmission: Whoever Straparola may have been, his Piacevoli Notti had great success: In addressing a particu- lar speech community, writers seek to use, explore, and validate their own speech acts as they assume a conceptual and aesthetic whole.

We only have information from the irst volume of Le pia- cevoli notti that he was born in Carvaggio and that he was the author of another work Opera nova de Zoan Francesco Straparola da Caravazoa collection of sonnets and poems, published in Venice.

If one designates genres as classes of texts, this designation occurs in a meta- discourse about genres in history that has, as its aim, the establishment of properties, traits, and laws of the text.